EDUCATION

  • 2014 to present time – Candidate for Doctor Philosophy in Composition, Duke University. Mentored by Prof. Dr. Scott Lindroth.
  • 2005 to 2007 – Master of Music in Composition, UFRJ (Federal University of Rio de Janeiro). Title of the dissertation: Composition and Musical Meaning:  The Role of Cognitive Structures on the Musical Understanding. CAPES Fellowship 2008 (Coordination for the Perfectioning of Superior Level Persons). Advisor: Prof. Dr. Marcos Vinicio Cunha Nogueira.
  • 1998 to 2004 – Bachelor of Music in Composition. UFRJ (Federal University of Rio de Janeiro). Mentored by Prof. Dr. Marisa Rezende and Prof. Dr. Marcos Vinicio Cunha Nogueira. FAPERJ Fellowship for Scientific Initiation (Foundation for Research Support of the State of Rio de Janeiro). Advisor: Prof. Dr. Samuel Mello de Araujo Junior.

 

AWARDS AND FELLOWSHIPS

  • The William Klenz Prize in Music Composition. Offered for the composition D’água by the Duke University Music Department. Durham, NC: 2015.
  • Composer-in-Residence. Rio de Janeiro State and Culture Department (SEC-RJ). Commission for the large chamber work (nonet) ‘Entre-Termos’, premiered in 2011 by the Cron ensemble. Rio de Janeiro, RJ: 2010.
  • CAPES Fellowship (Coordination for the Perfectioning of Superior Level Persons): 2008.
  • FUNARTE Concert Music Circulation Award (National Art Foundation). Production and music direction of a concert series among 16 different cities in the Northeast, Middle-East, and Southeast of Brazil. 2006.
  • FUNARTE Concert Music Circulation Award (National Art Foundation). Production and music direction of a concert series among 16 different cities in the South and Southeast of Brazil. 2005.
  • FAPERJ Fellowship for Scientific Initiation (Foundation for Research Support of the State of Rio de Janeiro): 2001.
  • Honorable Mention. XII  Journey of Artistic and Cultural Initiation (CNPQ). Guerra-Peixe and the ethnomusicology research in Brazil: A reflexion in the light of new documentation. Federal University of Rio de Janeiro, Rio de Janeiro: 2000.

 

COMPLEMENTARY EDUCATION 

  • Short Term Course on Soundtrack for Film, Video, and TV. Taught by the composer David Tygel. Cinemusica, Rio de Janeiro: 2004.
  • Short Term Course in Music and the Moving Image – Introduction to Musical Semiotics Applied to Cinema. Taught by Professor Philip Tagg, University of Montreal, Canada. UNI and PUC-RIO, V Congress of the Latin American Section of the International Association for the Study of Popular Music (IASPM-LA), Rio de Janeiro: 2004.
  • Short Term Course in Soundtrack Cine Sul Festival Directed by composer David Tygel. Participations of Royal Brown – Professor of Queen College of NY – Osvaldo Montes (Argentina) and Ulysses Hernandez (Cuba). Bank of Brazil Cultural Center (CCBB), Rio de Janeiro: 2004.
  • Continuing Education entitled the Far Beyond Spectacle. Maison de France, Rio de Janeiro: 2003.
  • Continuing Education in the Modal Polyphony in the XVI Century – Palestrina Style. Taught by Professor Eduardo Biato. School of Music of UFRJ. Rio de Janeiro: 2000.

 

WORK EXPERIENCE

  • 2011- to present time – Federal University of Rio de Janeiro (UFRJ). Locality: Rio de Janeiro – RJ. Position: Assistant Professor of Composition. Main Activities: Disciplines Taught on Composition, Composition Elements, Instrumentation and Arrangement, Functional Harmony and Vocal-Instrumental Harmony.
  • 2007 – 2008 Federal University of Rio de Janeiro – UFRJ. Locality: Rio de Janeiro RJ. Position: Substitute Professor of Harmony. Main Activities: Disciplines Taught on Vocal-Instrumental Harmony, Musical Forms, and Composition Elements.
  • 2004 -2010 Candido Mendes University – UCAM (Candido Mendes University). Locality: Nova Friburgo – RJ. Position: Professor of Music. Main Activities: Disciplines Taught on Instrumentation and Arrangements, Functional Harmony, Technology in Music and Scores’ Editing.
  • 2013 – FUNARTE Panels of Musical Bands – FUNARTE (National Foundation of Arts). Locality: Guaiba – RS. Position: Teacher of Music for the Professional Perfectioning. Short-term course. Main Activities: Musical Perception Lessons.
  • 2012 – FUNARTE Panels of Musical Bands – FUNARTE (National Foundation of Arts). Locality: Rio de Janeiro – RJ. Position: Teacher of Music for the Professional Perfectioning. Short-term course. Main Activities: Musical Perception Lessons.
  • 2011FUNARTE Panels of Musical Bands – FUNARTE (National Foundation of Arts). Locality: Mariana – MG. Position: Teacher of Music for the Professional Perfectioning. Short-term course. Main Activities: Musical Perception Lessons.
  • 2009FUNARTE Panels of Musical Bands – FUNARTE (National Foundation of Arts). Locality: Bananeiras – PB. Position: Teacher of Music for the Professional Perfectioning. Short-term course. Main Activities: Musical Perception Lessons.
  • 2007FUNARTE Panels of Musical Bands – FUNARTE (National Foundation of Arts). Locality: Cachoeiro do Itapemirim – ES. Position: Teacher of Music for the Professional Perfectioning. Short-term course. Main Activities: Lessons in Harmony for Bands.
  • 2004 – 2005 Musicultura – UFRJ. Project realized by the Laboratory of Ethnomusicology of UFRJ. Coordinator Prof. Dr. Samuel Araujo. Locality: Rio de Janeiro RJ. Position: Technical Instructor. Main Activities: To instruct the participating members of the Musicultura Project the proper use of technological equipment necessary to the group, especially for the audio and video capture and for the establishing of a database.
  • 2003-2005 Ethnomusicology Laboratory of UFRJ – Labetno / UFRJ. Coordinator: Prof. Dr. Samuel Araujo. Locality: Rio de Janeiro – RJ. Position: Website Administrator and Technical Instructor (FAPERJ Fellowship). Main Activities: To instruct the members of the Labetno the proper use of technological equipments necessary to the group, especially for the audio and video capture and for the establishing of a database, besides the administration and updating of the Laboratory site.

 

ACTIVITIES AS DIRECTOR, COORDINATOR AND ORGANIZER

  • Administrative Coordinator of Lamut Laboratory (Music and Technology) – From 2012 to 2014.
  • The musical direction of Cron ensemble – Brazilian Chamber Music, together with Prof. Dr. Marcos Nogueira. From 2003 until today.
  • Coordinator of the 2nd edition of Composers Project of UFRJ – Lecture series involving Brazilian and foreign guests composers. Participant Composers: Mauricio Meza (Mexico / France), Edson Zampronha (Brazil / Spain), Rami Levin (USA), Rodrigo Lima (Brazil) and Caio Senna (Brazil). 2013.
  • Participant of the organizing committee of the 1st edition of Composers Project of UFRJ – Lecture series involving invited Brazilian composers. Participant Composers: Marcos Lucas (Brazil), Mario Ferraro (Brazil), Luigi Irlandini (Brazil), Rogério Vasconcelos (Brazil), Liduino Pitombeira (Brazil) and Edino Krieger (Brazil). 2013.
  • ARAUJO JUNIOR, S. M., WAGNER, Yahn, DANTAS, P., VELOSO, R. C., CARON, Jean-Pierre, QUARANTA, D., REZENDE. M. – Campos Sonoros Series. 2009.
  • Participation in organizing committee of the 1st Composition Competition for Symphonic Orchestra of UFRJ. 2008.

 

BIBLIOGRAPHIC PRODUCTION

Articles Published in Scientific Journals

  • PINTO, Yahn Wagner. Composition and Musical Gesture: The musical persona as the basis for a new composition. Percepta, No. 2, Vol. 1. Associação Brasileira de Cognição e Artes Musicais. ISSN: 2318-891X. Online Journal: 2014, p. 131-150.
  • ARAUJO, Samuel, FUKS, Leonardo, PINTO, Yahn Wagner, AMARAL, Ulisses. Diálogos entre a acústica musical e a etnomusicologia: Um estudo de caso dos estilos vocais do samba carioca (Dialogues between the musical acoustics, the voice physiology, and the ethnomusicology: A study of case of vocal styles in the Carioca samba). PERMUSI, No. 7. Universidade Federal de Minas gerais, Belo Horizonte: 2003, p.52-67.

Works published in events annals (complete)

  • PINTO, Yahn Wagner. Expressões de tempo e espaço na música (Expressions of time and space in music). Annals of the VI SIMCAM (Symposium of Cognizance and Musical Arts), Rio de Janeiro: 2010, p. 43-53.
  • PINTO, Yahn Wagner. Da experiência musical para o entendimento: Relações da estruturação tetural na percepção do objeto musical (From the musical experience to the understanding: Relationships of the textural structuring in the perception of the musical object). Annals of the XV ANPPOM Congress (National Association of Research and Post-Graduation in Music) Rio de Janeiro: 2005, p. 34-41.
  • PINTO, Yahn Wagner, AMARAL, Ulisses. A voz como objeto para análise estilísticaÇ Diálogos entre a acústica musical e a etnomusicologia (The voice as an object for stylistic analysis: dialogues between the musical acoustics and the ethnomusicology). Annals of the 3o. Colloquial of Research of the Post-Graduation Program in Music – Federal University of Rio de Janeiro, Rio de Janeiro: 2002, p.89-93.

Works published in events annals (summary)

  • PINTO, Yahn Wagner, AMARAL, U. Elton Medeiros e o samba carioca, um estudo de caso: Diálogos entre a acústica musical e a etnomusicologia (Elton Medeiros and the carioca samba, a case study: dialogues between the musical acoustics and the ethnomusicology). Annals of the I National Encounter of ABET (Braziliian Association of Ethnomusicology), Recife: 2002, p.56.
  • PINTO, Yahn Wagner, DUQUE, E. TEIXEIRA, J. C., ARAGAO, P. ARAUJO, S. Guerra-Peixe e a pesquisa etnomusicológica no Brasil: Uma reflexão à luz de nova documentação (Guerra-Peixe and the ethnomusicological research in Brazil: a reflexion in the light of new documentation). Annals of the 2nd Colloquial of Research of the Post-Graduation Program in Music – Federal University of Rio de Janeiro, Rio de Janeiro: 2000, p.230.

 

LECTURE

  • 2005 –Candido Mendes University – UCAM. Locality: Nova Friburgo – RJ. Title: The stereotype as the essence of musical understanding: Psychological speculations under a compositional approach.

 

PRESENTATION IN EVENTS

  • 2010 – VI SIMCAM – Symposium of Cognition and Musical Arts. Locality: Rio de Janeiro – RJ. Title: Expressions of time and space in music.
  • 2006 – 6th Colloquium of the Research Program of Graduate in Music – UFRJ. Locality: Rio de Janeiro – RJ. Title: Duration and memory in musical composition.
  • 2005 – XV ANPPoM Congress – National Association for Research and Post Graduation in Music. Locality: Rio de Janeiro – RJ. Title: From the musical experience to the understanding: Relationships of the textural structuring in the perception of the musical object.
  • 2002 – 1st National Meeting of the ABET – Brazilian Association of Ethnomusicology. Locality: Recife – PE. Title: The voice as an object for stylistic analysis: Dialogues between the musical acoustics and the ethnomusicology.
  • 2002 – 3º Colloquium of the Research Program of Graduate in Music – UFRJ. Locality: Rio de Janeiro – RJ. Title: The voice as an object for stylistic analysis: dialogues between the musical acoustics and the ethnomusicology.
  • 2002 – XXIV Journey of Scientific Initiation e XIV Journey of Artistic and Culture Initiation – UFRJ. Locality: Rio de Janeiro – RJ. Title: Elton Medeiros and the carioca samba, a case study: dialogues between the musical acoustics and the ethnomusicology.
  • 2000 – 2nd Colloquium of the Research Program of Graduate in Music – UFRJ. Locality: Rio de Janeiro – RJ. Title: Guerra-Peixe and the ethnomusicological research in Brazil: a reflexion in the light of new documentation.
  • 2000 – XXII Journey of Scientific Initiation e XII Journey of Artistic and Culture Initiation – UFRJ. Locality: Rio de Janeiro – RJ. Title: Guerra-Peixe and the ethnomusicological research in Brazil: a reflexion in the light of new documentation.

 

PARTICIPATION IN RADIO BROADCASTING

  • 2007 – Brazilian Composers – Rádio MEC. Locality: Rio de Janeiro – RJ. Interviewed by Jorge Ayer.
  • 2001 – Music and Musicians of Brazil – Rádio MEC. Locality: Rio de Janeiro – RJ. Interviewed by Lauro Gomes.

 

PARTICIPATION IN GRADUATE BOARDS

  • MENDONÇA, Talita Heckert. Music and data processing: musical-educational programs. (undergraduation in Music). BORGES, C., PINTO, Yahn Wagner, PEREIRA, L. University Candido Mendes, 2008.
  • VALENTE, Leite Costa. Participation in the Matheus bench . A new application of the Microsoft Office Excel directed to the musical education lessons. (Undergraduation in Music). BORGES, C., PINTO, Yahn Wagner, PEREIRA, L., University Candido Mendes, 2008.
  • ANDRADE, Franklin Curty de. The Music Workshops in the Process of Teaching-Apprenticeship. (Undergraduation in Music). WOLFF, M. S., PINTO, Yahn Wagner, PEREIRA, L. University Candido Mendes, 2006.
  • ALVES, Lucia Helena S. Musical Education and Society: The Role of Music in the Shaping of Citizens. (Undergraduation in Music). WOLFF, M. S., PINTO, Yahn Wagner. University Candido Mendes, 2006.
  • FONTES, Merian Inacio. Musical Education. School and Globalization Ideas. (Undergraduation in Music). WOLFF, M. S., PINTO, Yahn Wagner. University Candido Mendes, 2006.
  • GOULART, Jose Derli. The Key Board as Musicalization Instrument. (Undergraduation in Music). WOLFF, M. S., PINTO, Yahn Wagner. University Candido Mendes, 2006.
  • MACHADO, Mauro Silva. The use of musical software as support instrument to the musicalization processes. (Undergraduation in Music). AYER, J., PINTO, Yahn Wagner. University Candido Mendes, 2006.
  • SANTOS, Loucidemar Souza. The use of Musical Software. (Undergraduation in Music). AYER, J., PINTO, Yahn Wagner. University Candido Mendes, 2006.
  • CANTINI, Emilio. The free Fingers: A new approach to musical apprenticeship. (Undergraduation in Music). WOLFF, M. S., PINTO, Yahn Wagner. University Candido Mendes, 2006.
  • COUTINHO, Denise Ventura. Interactive Lecture and Didactic Concert in Schools. (Undergraduation in Music). WOLFF, M. S., PINTO, Yahn Wagner. University Candido Mendes, 2006.

 

PARTICIPATION IN JUDGING COMMISSION BOARDS 

  • Specific Skill Test for admission in undergraduate course. Federal University of Rio de Janeiro: 2013.
  • Specific Skill Test for admission in undergraduate course. Federal University of Rio de Janeiro: 2012.
  • Specific Skill Test for admission in undergraduate course.  Federal University of Rio de Janeiro: 2011.

 

PRESENTATIONS OF MUSICAL WORKS IN RECITALS AND CONCERTS

  • yMusic ensemble. D’água. Performers: Rob Moose (violin/guitar), Nadia Sirota (viola), Andrea Lee (cello), Alex Sopp (flute/piccolo), Hideaki Aomori (clarinet/bass clarinet), CJ Camerieri (trumpet/French horn). Motorco Music Hall, Durham, NC: 2015.
  • CRON – Brazilian Chamber Music. SEC – State and Culture Secretariat of Rio de Janeiro. Algumas Notas; Vanilla; Semente; Escalenoedro; Trio; Belo-belo; Entre-termos. Performer: CRON. Leopoldo Miguez Hall (UFRJ School of Music) and CCBB (Bank of Brazil Cultural Center), Rio de Janeiro, RJ: 2011.
  • Candido Mendes Orchestra Concert. Tapajônia. Performer: Candido Mendes Orchestra. Nova Friburgo Municipal Theater, Nova Friburgo, RJ: 2010.
  • Second Anniversary Concert of Candido Mendes Orchestra. Solstício. Performer: Candido Mendes Orhestra. Nova Friburgo Municipal Theater, Nova Friburgo, RJ: 2009.
  • City Concert. Solstício. Performer: Candido Mendes Orchestra. Nova Friburgo Municipal Theater, Nova Friburgo, RJ: 2009.
  • XXIV Present Day Brazilian Music (XXIV Panorama da Música Brasileira Atual). Criatura nº1. Performers: Quarteto Experimental with participation of Waleska Beltrami. Leopoldo Miguez Hall –UFRJ School of Music, Rio de Janeiro, RJ: 2008.
  • XVII Biennials of Brazilian Contemporary Music (XVII Bienal de Música Brasileira Contemporânea). Criatura nº1. Performers: Quarteto Experimental with participation of Waleska Beltrami. Cecília Meireles Hall, Rio de Janeiro, RJ: 2007.
  • Master’s Recital. Criatura nº1. Performers: Quarteto Experimental with participation of Priscila Martins; Trio. Performer: Cron – Brazilian Chamber Music; Semente. Performer: Cron – Brazilian Chamber Music; Algumas Notas. Performers: Cron – Brazilian Chamber Music, with participation of Cláudio Alves (double-bass); Escalenoedro. Performers: Sofia Ceccato (flute), Leonardo Sousa (vibraphone) e Sergio Naidin (marimba). Hanrique Oswald Hall –UFRJ School of Music, Rio de Janeiro, RJ: 2007.
  • Project of Concert Music Circulation – FUNARTE. Cron – Brazilian Chamber Music. Semente, Performer: Cron. José de Alencar Theater, Fortaleza: 2006; Raquel de Queiroz Theater, Crato: 2006; SESC / Iguatu, Iguatu:2006; Alberto Maranhão Theater, Natal: 2006; Dix-Huit Rosado Maia Mucipal Theater, Mossoró: 2006; Severino Cabral Municipal Theater, Campina Grande: 2006; Cine Bangüê, João Pessoa: 2006; Auditorium of the Conservatory of Music of Pernambuco, Recife: 2006; Auditorium of the Museum of Image and Sound of Alagoas, Maceió: 2006; Public Library Auditorium Ephifanio Doria, Aracajú: 2006; Hall of the Rectory of UFBA, Salvador: 2006; 31st National Festival of Music, Federal University of Goiás. Auditorium of the School of Music and Performing Arts UFG, Goiânia: 2006; Municipal Theater, Anápolis: 2006; Auditorium of the Department of Art at UFMT, Cuiabá: 2006; Aracy Balabanian Theater, Campo Grande: 2006; Levino de Alcântara Theater – Escola de Música de Brasília, Brasília: 2006.
  • XXII Present Day Brazilian Music (XXII Panorama da Música Brasileira Atual). Escalenoedro. Performers: Luis Cuevas, Leo Sousa e Sérgio Naidin. Leopoldo Miguez Hall –UFRJ School of Music, Rio de Janeiro, RJ: 2005.
  • XVI Biennials of Brazilian Contemporary Music (XVI Bienal de Música Brasileira Contemporânea). Algumas Notas. Performers: Música Nova  Ensemble. Cecília Meireles Hall, Rio de Janeiro, RJ: 2005.
  • Music in IBAM. Algumas Notas. Performer: Música Nova Ensemble. Auditoriem of IBAM, Rio de Janeiro, RJ: 2005.
  • Project of Concert Music Circulation – FUNARTE. Cron – Brazilian Chamber Music. Trio. Performers: Cron. Antonina Municipal Theater, Antonina: 2005; Juarez Machado Theater, Joinville: 2005; Auditorium of Musical Department of UDESC, Florianópolis: 2005; Mozart Hall, Gramado: 2005; Auditorium Tasso Corrêa – Institute of Arts of UFRGS, Porto Alegre: 2005; Morretes Movie Theater, Morretes: 2005; Cultural Foundation, Ponta Grossa: 2005; Museu Paranaense, Curitiba: 2005; Maria Antonia Universitary Center, São Paulo: 2005; Piracicaba School of Music, Piracicaba: 2005; Auditorium Nelly Albernaz, Campos dos Goytacazes: 2005; Rio das Ostras Municipal Theater, Rio das Ostras: 2005; Itaguaí Municipal Theater, Itaguaí: 2005; Teresópolis Municipal Theater, Teresópolis: 2005; Artitic Education Foundation, Belo Horizonte: 2005; Guiomar Novaes Hall, Rio de Janeiro: 2005.
  • Music in the Fórum. Escalenoedro. Performers: Percussão 2 em 1, with participation of Luis Cuevas (flute). Science and Culture Forum of UFRJ, Rio de Janeiro, RJ: 2005.
  • Bretas / Bonfim Duo. Cenas Cariocas. Performers: Patrícia Bretas (piano) and Marcelo Bonfim (flute). Guiomar Novaes Hall, Rio de Janeiro, RJ: 2004.
  • Music in IBEU. Trio. Performer: Cron – Brazilian Chamber Music. IBEU Cultural Center, Rio de Janeiro, RJ: 2004.
  • Brasiliana Series. Trio. Performer: Hápax. Casa de Rui Barbosa, Rio de Janeiro, RJ: 2004.
  • VI New Music in UNIRIO. Cenas Cariocas. Performers: Ulisses Amaral (flute) and Tatiana Dumas (piano); Trio. Performer: Hápax. Villa-Lobos Hall – UNIRIO, Rio de Janeiro, RJ: 2004.
  • XV Biennials of Brazilian Contemporary Music (XV Bienal de Música Brasileira Contemporânea). Belo-Belo. Performers: Villa-Lobos Quintet, with participation of Carolina Farias (mezzo-soprano). Cecília Meireles Hall, Rio de Janeiro, RJ: 2003.
  • Composition Recital. Trio. Performers: Diogo Pimentel (violin), Marcos Botelho (trombone) and Tatiana Dumas (piano). Henrique Oswald Hall –UFRJ School of Music, Rio de Janeiro, RJ: 2003
  • Composition Recital. Sonata for mixed quintet. Performers: Leonardo Fuks (oboe), Marco Túlio (alto saxophone), Sergio Naidin (vibraphone), Marcos Milagres (double-bass) and Renato Navega (drums); Cenas Cariocas. Performers: Ulisses Amaral (flute) and Tatiana Dumas (piano). Sala da Congregação –UFRJ School of Music, Rio de Janeiro, RJ: 2003.
  • Composition Recital. Insânia. Performer: João Bustamante Teixeira (cello), Adler Tatagiba (guitar), Sergio Naidin (marimba) and Tatiana Dumas (piano). Sala da Congregação – UFRJ School of Music, Rio de Janeiro, RJ: 2002.
  • Music in the Fórum. Cenas Cariocas. Performers: Ulisses Amaral (flute) and Yahn Wagner (piano). Science and Culture Forum of UFRJ. Rio de Janeiro, RJ: 2001.
  • Composition Recital. Cenas Cariocas. Performers: Ulisses Amaral (flute) and Yahn Wagner (piano). Sala da Congregação –UFRJ School of Music, Rio de Janeiro, RJ: 2001.
  • Composition Recital. Acordo de Noite. Performers: Paula Mariz (mezzo-soprano) and Yahn Wagner (piano); Prelúdio (Piano). Performer: Tatiana Dumas (piano). Sala da Congregação – UFRJ School of Music, Rio de Janeiro, RJ: 2001.

 

COMPOSITIONS

  • D’água. 2015. For acoustic guitar/violin, viola, cello, flute/piccolo, clarinet/bass clarinet and French horn/trumpet.
  • Book of Contrapuntal Pieces. 2014. For violin, contrabass and marimba.
  • Homenagem à Marisa Rezende. 2014. For piano solo.
  • Piano Jongo Riot. 2014. For piano solo.
  • Alcantilado. 2012. For flute and piano.
  • Entre-termos. 2011. For soprano, flute, clarinet, French horn, trombone, vibraphone, piano, violin and contrabass. Text from Qorpo Santo.
  • Vanilla. 2011. For flute, french horn, contrabass and piano.
  • Undecáfora. 2010. For flute, clarinet, percussion, piano, violin and cello.
  • Tapajônia. 2009. For small orchestra.
  • Solstício. 2008. For small orchestra.
  • Criatura nº 2. 2007. For string orchestra.
  • Criatura nº 1. 2007. For clarinet em Eb, 2 clarinets in Bb, clarone and French horn.
  • Semente. 2006. For mezzo-soprano, clarinet, trombone and piano.
  • Algumas Notas. 2005. For clarinet, trombone, contrabass and piano.
  • Escalenoedro. 2005. For flute, vibraphone and marimba.
  • Belo-belo. 2003. For mezzo-soprano and Wind quintet, text from Manuel Bandeira.
  • Sonata for mixed quintet. 2003. For oboe, alto saxophone, vibraphone, double-bass and drums.
  • Trio. 2003. For violin, trombone and piano.
  • Insânia. 2002. For guitar, cello, marimba and piano.
  • Acordo de noite. 2001. For mezzo-soprano and piano. Text from Fernando Pessoa.
  • Cenas cariocas. 2001. For flute and piano.
  • Prelúdio. 2001. For piano solo.

 

COMMERCIAL RECORDINGS 

  • Belo-belo. Um Sopro Novo. CD from Villa-Lobos Quintet. Special guest of Carolina Farias (Mezzo-soprano). ISSN: 7890552040356. Selo Rádio MEC, 2006.

 

ACTING AS PERFORMER 

  • Música no Fórum. Cenas Cariocas (flute and piano), Yahn Wagner. Performers: Ulisses Amaral (flute) and Yahn Wagner (piano). Fórum de Ciência e Cultura da UFRJ. Rio de Janeiro: 2001.
  • Composition Recital. Cenas Cariocas (flute and piano), Yahn Wagner. Performers: Ulisses Amaral (flute) and Yahn Wagner (piano). Sala da Congregação – UFRJ School of Music, Rio de Janeiro: 2001.
  • Composition Recital. Acordo de Noite (Mezzo-Soprano and Piano), Yahn Wagner. Performers: Paula Mariz (mezzo-soprano) and Yahn Wagner (piano); Sala da Congregação –UFRJ School of Music, Rio de Janeiro: 2001.

 

CITATION ON BIBLIOGRAPHICAL BASES

  • RILM – Abstracts of Music Literature. Total number of citations: 1; number of works: 1 Date 06/06/2015. Name of the author used in the consultation to obtain the total number of citations: Pinto Yahn Wagner.

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